Hanfu for men usually consists of a loose top and a long wrap-around skirt, which is secured by ties or a belt. The obi belt ensures a secure fit for the multi-layered ensemble and adds a focal point of interest at the waist, highlighting the wearer’s silhouette. This wide belt is often adorned with intricate patterns, embroidery, or clasps and serves both functional and decorative purposes. The crossed-lapel design is versatile and adapts well to different fabrics and patterns, making it a staple in many Hanfu variations. Hanfu fabrics are often richly decorated with complex patterns, including floral motifs, mythical creatures, and symbolic designs. Yi is worn on the upper body, and Shang are worn on the lower half of the body, like a dress. Song Dynasty Hanfu: The Song Dynasty (960-1279) Hanfu, known as the “Shenyi,” consists of an upper garment and a skirt or trousers. The upper garment is shorter, and the skirt or trousers are high-waisted. Some hanfu are accented with floral patterns or geometrical shapes.

For men, floral patterns are more feminine, while geometric shapes are more masculine. While in the Sui, Tang, and Five Dynasties, the skirt is tied much higher, usually above the chest or below the armpits. Modern Hanfu: Modern Hanfu incorporates elements from various dynasties, focusing on practicality and comfort. Qing Dynasty Hanfu: Qing Dynasty Hanfu is characterized by the “Changshan” or “Qipao” for men, a straight-cut top with a high collar, worn with a long skirt or trousers. Technically, the Chinese clothing Qing dynasty and afterwards would be considered modern China, so the Chinese clothing qipao would be modern clothing and not traditional. Wang Hongchao, head of the Chinese Department at Shanghai Normal University, told newspaper Wenhui Daily that clothing is a key medium for cultural inheritance and self-expression. It is worn for cultural events, festivals, and daily life, promoting a sense of cultural identity and heritage among contemporary Chinese men. Which leads to contradictory policies, like promoting Han migration beyond the pass while also granting privileges to feudatory ethnic groups, which is only justified in-story by virtue of it happing in real life.

The length of Hanfu garments can vary widely, with some reaching the ankles or dragging on the floor, while others are shorter and more practical for daily wear. We had a pretty awesome trip to Beijing, China, in general, but this day was one of the most memorable perhaps, because one of my dreams for a while was to cosplay in a really amazing location (like a temple or something). These findings help us to understand how clothing was used in ancient China, and how traditional Chinese clothing has changed over time. The traditional handicraft of making xiuhuaxie is fully indigenous to China, having been created by Chinese people since the ancient times, and combines Chinese shoe culture and the art of Chinese embroidery. It gained fame for its role in connecting businesses worldwide, earning the saying “Hui Tong Tian Xia.” Located on West Street in Pingyao Ancient Town, this bank operated for over a century, witnessing the town’s prosperity.

The “Dabao” consists of a long tunic with a straight hem, worn over a long-sleeved inner garment. Many styles of Hanfu incorporate a crossed-lapel design, where the front panels of the top garment overlap and are secured with ties or belts. A typical outfit includes an inner shirt or blouse, a middle-layer garment such as a jacket or vest, and an outer robe or coat. The jacket has a “Y” or “U” shaped collar and is often embroidered with clouds, dragons, or phoenixes, symbolizing auspiciousness and status. These embellishments are typically woven or embroidered onto the fabric and can vary significantly based on the garment’s style, season, and the wearer’s social status. Depending on the specific style, the sleeves may be long and loose, short and fitted, or a combination of both. The top part can be either short or long, and it usually has a V-neckline, which is closed with ties or sashes. Different tying methods and styles of obi belts can alter the overall look, allowing for personalization within the Hanfu aesthetic. Each layer adds depth and dimension, allowing for a wide range of combinations based on the season, occasion, and personal style. The spacious sleeves not only add an element of elegance and grace to the overall silhouette but also serve practical purposes, allowing for ease of movement and versatility in different activities.

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